July 14 -
August 23, 2012
Opening
reception: Saturday, July 14, 1:00 – 3:00 p.m.
This exhibition of works by more than two dozen artists
working in painting, sculpture, installation, and photography explores the
transformational themes of sin and redemption.
Works range from contemplative installations, such as David
Best’s destined-to-be-burned altar, to a wall-size tapestry depicting classical,
pre-Christian geometry, and contemporary interpretations of religious expression,
including an interactive confessional by Claire Pasquier and Mary Powers. The
exhibition considers the vocabulary of spiritual symbols, rituals, and
historical references, as well as the role of aesthetics in considering
existence.
Best’s altar, made of recycled wood for the upcoming Burning Man
Festival, is meant as a touchstone for reflection. Viewers are welcome to write
notes or leave messages on the piece that express their deepest concerns: pain,
loss, anger, or shame, for example. When the altar is burned, the messages will
be transformed into smoke and ash, providing a sense of release. A large-scale
tapestry by Donald and Era Farnsworth entitled Mythos 5 draws on Eastern spiritual traditions as well as the
Western interest in geometry, harmony, and unity.
Also on view will be Radio With
Sin Us, an installation with audio based on the sacrament of penance that also
hints at secular sources for self-examination and reconciliation, such as daytime
TV talk shows. Victor Cartagena’s Confesiones y Hostias will offer
the viewer a communion host (used in the sacrament of the Holy Eucharist) if
they are willing to confess a sin into a microphone that is amplified by a
speaker.
Artists in the exhibition include David Best, Victor Cartagena, Enrique
Chagoya, Margaret Chavigny, Kirk Crippens, Donald and Era Farnsworth, Marc Ellen
Hamel, Nancy Genn, Tara Gill, Ake Grunditz, Amber Hasselbring, Gérman Herrera, Jeremiah
Jenkins, Larry Lippold, Alen MacWeeney, Javier Manrique, Kara Maria, John
Martin, Jean Paul Mercado, Claire Pasquier, Christian Peacock, Silvia
Poloto, Mary Powers, Lewis Watts, and Elena Zolotnitsky.
Image
Captions (left to right top to bottom)
Victor Cartagena, Cristo al Rojo Vivo, 2012; photo: courtesy the artist
Kara Maria, Voluptuous Deconstruction, 2010; photo: courtesy the artist
Ake Grunditz, Columnaris Redempcioun, 2012; photo: courtesy the artist
David Best, Hayes
Green project, 2005; photo: courtesy SF Arts Commission
Alen MacWeeney, Interior of the Studio of Andres Serrano, 2011; photo: courtesy the artist
Lewis Watts, The
Clark Sisters in front of their Church, Lincolnville, St. Augustine FL, 1996; photo: courtesy
the artist

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